"I will say this over and over, and often scrawl it atop the script that I'm working on myself -- a scene without opposition and emotional change is not a scene you need in the show. Or, as I've bellowed in my writers' room countless times:
'Who wants what, why can't they get it, and why do I give a shit?'"
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Rogers at Kung Fu MonkeyI am not sure if I have ever written a scene where those questions had clear answers. I'm not being down on myself; it's an honest assessment.
Poetry is one thing: I can see what I need to do to make a poem that works. Every once in a great while I even manage to do it. Fiction, plot, the narrative arc ... these things are slippery and mysterious and opaque to me. It's like looking at a coffee maker and trying to figure out what's inside so I can build my own. (Appliances are also mysterious to me.) The best I manage to do is a cardboard box labeled "coffee stuff in" on one end and "coffee out" on the other. No structure, no inner workings, and definitely no coffee.
I really pity the professors who had to try and teach me creative writing. Also, the patient and well-meaning Sluggites who attempted to play any of my shoddy, quickly abandoned RPGs.
As I said, I'm not sulking or looking for reassurance. Really, it's kind of fascinating to me, how there is this whole Thing there, with weight and structure and internal logic, and yet my brain cannot even begin to get a handhold on it. I'm not baffled that I can't write
well, but that I really can't do it at
all. I don't understand people, or why they do what they do, or why things have to be so hard, or how you solve a problem (like Maria or otherwise).
This also explains why so much of my life is taken up by worrying, flailing, and learning that the stove is hot by putting my hand on it six or seven times.
And I want to understand those things. I don't dream of being a professional writer or even a published one. I just want to
do it already. Because no matter how many times I vow to be content as a reader and occasional critic, I get drawn back to trying it again. Or, trying to try. Not knowing how to start getting better.
Though I seem to be able to write intriguing 50-word fake plot summaries over on
Evil Editor. And I'm pleased with some of my Twitterfiction pieces. Who knows, maybe it's not that I
can't, but that I'm simply the world's slowest learner. Keep your eyes peeled for my first successful short story, due out in 2067.
Speaking of writing, the results of the Clarity of Night flash fiction contest came out today. I didn't place, not even with an honorable mention, which would have put me in the top 7%. I'm disappointed, of course, but whatevs. I wrote a story that amused me AND did not feature two sad people sitting around talking, nor was it the latest entry in my ongoing series, "Fucked-up Women and the Slightly Less Fucked-up Men Who Love Them." Baby steps, right?
Seriously, though, I can say I've improved in one area: I'm learning to sit with my writing for a while, put it aside, come back with fresh eyes, revise, repeat. I think it's the editing jobs that are helping with this. I'm still crap about actually getting things on paper, but if I can get that far, I can come back a second time. Invariably, something I thought was absolute genius will be nonsensical, and the things I remembered as 100% crap will be 99% crap and one truly funny line. (Never, ever, in a place I was trying to be funny.)
This entry is long and poorly structured and of no interest to anyone but me, but hey, gotta keep up with the standards I've set in this LJ over the past four years. FOUR! JESUS CHRIST YOU GUYS. I am old. Also, the amount of self-indulgent whining I have committed to the intertubes, when considered in total, truly beggars belief.